Lydia Wells. Show all 6 episodes. Vanessa Ives voice. Vanessa Ives. Vanessa Ives credit only. Show all 27 episodes.
Show all 10 episodes. Hide Show Producer 1 credit. A Patriot executive producer pre-production. Hide Show Thanks 1 credit. Hide Show Self 67 credits. Self - Nominee. Self - Interviewee. Self - Guest. Hide Show Archive footage 17 credits.
Vesper Lynd uncredited. Related Videos. Official Sites: Instagram Twitter See more ». Height: 5' 7" 1. Children: None. Relatives: Green, Joy sibling See more ». Edit Did You Know? Personal Quote: I could live by candlelight. I hate artificial lighting and I'm really into candles. My mother is always like, 'Oh my god! It's like you live in a church! It smells like incense.
See more ». Trivia: Is a natural blonde. Dyed her hair black for the first time when she was 14 years old. She thought the colour was more flattering and matched her skin tone and stated that she doesn't want to change it back unless if it's for a film. Trademark: Smokey eye makeup See more ». Star Sign: Cancer. Getting Started Contributor Zone ». Edit page. Clear your history.
Did you know Edit. Trivia The scene where Isabelle's hair catches fire happened unplanned. Eva Green was supposed to lean forward and kiss Matthew goodnight but accidentally caught her hair on fire on the candle on the table. She didn't let it worry her and acted so natural that Bernardo Bertolucci decided to leave it in as he felt it perfectly anticipated the theme that things are about to get a bit crazy. Goofs Theo claims that she and his sister were conjoined twins, separated at birth. This is not possible, as conjoined twins are always identical and therefore cannot be opposite sex.
Quotes Matthew : Yes, I'm drunk. Crazy credits The word "events" is misspelled in the sentence stating "The wevents, characters and firms depicted in this photoplay are fictitious. Alternate versions US R-rated version runs ca. User reviews Review. Top review. The decor for The Dreamers, Bertolucci's sensual and narcotic film is represented by effervescent moments that took place in Paris in In the same manner in which the house inhabited by the three main protagonists represents a character, so do the Parisian streets, with their trepidation and demonstrations.
Contrary to other films directed by this director - who has promised much and delivered even more throughout his career - The Dreamers opens in a fast-paced and provocative manner. The director establishes the cinematic convention precisely, eloquently, and elegantly. It becomes clear that the film deals with furious and beautiful young people who live through the films they devour. In the first five minutes, the heroine of the picture played impeccably by Eva Green, a theatre actress reminiscent of Isabella Rossellini announces that she was born in Logically, it is impossible, seeing that the year is and she seems to be at least 19 years old.
Consequently, Bertolucci's feminine character believes that she has not been alive until seeing the afore-mentioned film, considered by many the beginning of the New Wave. The idea of interposing images and references to classic films is augmented in The Dreamers. It becomes a means of communication between the characters and in fact it ignites the entire "action" of the film.
As in The Last Tango in Paris or Stealing Beauty, sex and sensuality also represent means of expression on which the director relies heavily. Yet The Dreamers rejects the desperation of The Last Tango through a seductive irreverence that indeed characterizes the so-called "enfants terrible" of Paris.
It should be noted that The Dreamers contains various sexual and nude scenes, but that these are by no means as shocking as the sex scenes in The Last Tango were, when that film was released in the s. Since then, video and Internet pornography have occurred and shocking audiences through nudity has become something of a moot point. It is only the MPAA that hasn't grown up.
Undoubtedly, the angles of the shots in The Dreamers are what impresses the most. As in other films by Bertolucci, practically every shot could be cut out and studied hours at an end for its elegance. The three main characters all played beyond reproach live their menage-a-trois through concrete gestures and attitudes, as well as through emotions that are suggested by the sublime cinematography.
The ending of the film, considered by some critics a weak point, is in fact quite accomplished. American viewers including some critics are used to American films, in which the build-up leading to the climax is essentially dynamic, suspenseful or tragic. But the European cinema is different. It often shows how feelings are condensed in a quiet but explosive mixture. This description fits The Dreamers like a glove. Finally, a note for film buffs. In the initial scenes, at the demonstration in front of the Cinematheque, Bertolucci used news reel footage from the '60s with Jean-Pierre Leaud si Jean-Pierre Kalfon known actors of the New Wave.
They are seen giving speeches and throwing paper leaflets to the crowd. In , when shooting the film, Bertolucci got Leaud and Kalfon, now aged, to "reenact" the images from the news reels. The end result is a mixture of new and old images, the former in color, the latter black and white.
It is such tricks that Bertolucci uses throughout this nostalgic film that celebrates a certain period, during which the young generation had more meaningful things to fight than computer-simulated monsters. FAQ 2. Is there an initial Italian edition of minutes? Details Edit. Release date February 20, United States. English French. Box office Edit. Technical specs Edit. Runtime 1 hour 55 minutes.
0コメント